If not for Barcelona, the world might never have known the madness and genius of one extraordinary architect. A man so ahead of his time that his works turned a city into a living museum of his imagination.

Some call him the soul of architecture—his creations are wild, romantic, and visionary. Spain has declared 17 of his works as national heritage sites, and UNESCO has placed 7 of them on its World Heritage list. Others, however, dismiss him as a lunatic—a peculiar man who dressed like a beggar, never married, and spent his life consumed by his art.

His name? Antoni Gaudí, the architect who made the world ask, “Wait, buildings can look like this?”


Straight Lines Belong to Humans, Curves Belong to God

Like Da Vinci and Tesla, Gaudí often seemed like an alien visitor to our planet. Born in 1852 in the small Spanish town of Reus, he came from a humble background—his father was a boiler maker, and money was always tight. Adding to his struggles, Gaudí was a sickly child, suffering from rheumatism, which left him unable to play like other kids. Instead, he spent hours observing nature, fascinated by the shapes of snails, trees, and waves.

And from his endless observations, he came to a bold conclusion: Nature doesn’t use straight lines—so why should architecture?


A City Ready for a Genius

Despite his weak health and poor background, Gaudí was born at the perfect moment. Barcelona was undergoing a grand transformation, with the king ordering massive urban renovations. The city needed architects—lots of them.

Gaudí knew he wanted to build, but he had no interest in following traditional designs. He wrote in his journal:
“Only a madman would try to create something that doesn’t already exist in nature!”

While other students at architecture school were designing typical straight-edged buildings, Gaudí’s sketches looked like something out of a dream. His work often confused his professors. When he presented his graduation project in 1877, the director famously said:
“I don’t know if we’re giving this diploma to a genius or a madman!”


Madness or Genius? Why Not Both?

Architecture is expensive. And every genius needs a rich benefactor. Enter Eusebi Güell, a wealthy businessman who instantly recognized Gaudí’s talent. Unlike most people, Güell didn’t think Gaudí’s ideas were insane—he thought they were brilliant.

With Güell’s financial backing, Gaudí was free to experiment. His works—Güell Park, Güell Palace, Casa Batlló, Casa Milà—became some of the most unique buildings the world had ever seen.

And Gaudí himself? Well, he was just as unusual as his architecture. He was unkempt, antisocial, and refused to explain his designs to anyone. He didn’t even use traditional blueprints—he preferred to sculpt his ideas from clay or build intricate models. Investors who asked too many questions would often get a cold stare… or simply be ignored.


A Mind Obsessed with Nature

Gaudí saw beauty in the smallest details of nature, and he poured those inspirations into his buildings.

  • The roof of Casa Batlló looks like a dragon’s back.
  • The pillars inside the Sagrada Família resemble towering trees, creating a mystical forest of stone.
  • The chimneys of Casa Milà resemble warriors with helmets, as if guarding the building.

Even his most practical designs had an artistic touch. While working on the Sagrada Família, he searched for real-life models to sculpt biblical figures. He famously hired a doorman to pose as Judas, and when he needed a brutal soldier, he found a man with six fingers to play the part!

He was a perfectionist to the extreme, spending hours repositioning a single piece of tile or adjusting the curve of a doorway. The result? Buildings that feel alive.


The Lonely Genius Who Ignored Life’s Pleasures

While many great artists had colorful personal lives (think of Picasso’s endless lovers or Einstein’s love for music), Gaudí was different. He never married. He had no hobbies outside of architecture.

His only known romance? A brief university crush that went nowhere. After that, he devoted himself entirely to his work—no music, no parties, no sports. He wore the same shabby clothes for years and often forgot to eat.

Despite earning good money, he lived like a poor man. By the end of his life, his appearance was so disheveled that people mistook him for a beggar. And this tragic misunderstanding would ultimately lead to his death.


A Tragic End for a Legend

On June 7, 1926, Gaudí was hit by a tram in Barcelona. Passersby, seeing his ragged clothes, assumed he was homeless and took him to a hospital for the poor. By the time someone recognized him, it was too late.

Three days later, he died.

He was buried in the crypt of the Sagrada Família, the masterpiece he had dedicated his life to. Even now, nearly a century later, the church remains unfinished—but it continues to rise, just as Gaudí had envisioned.


Gaudí’s Legacy: A Dream That Lives On

Today, Barcelona is Gaudí’s city. His creations attract millions of visitors, leaving them awestruck. The Sagrada Família is still under construction, proving that Gaudí’s vision was so ambitious, it outlived him.

What makes his work so special? It’s not just the beauty—it’s the sense of wonder. Gaudí taught us that buildings don’t have to be dull, predictable, or ordinary.

Because in the end, the straight line belongs to humans. But the curve?
The curve belongs to genius.